There she is, hair black as night with a dress on as white as snow, but for some reason you can’t get a good view of her face. Then, all of sudden, she’s in yours, screaming at the top of her lungs. This is not your typical girl, and although she may sound like one, she is much worse. What you just witnessed is a mother grieving for her children. Some might question her parental instincts, but she only killed them for love, and let’s be honest, love makes you do some crazy things. If you are wondering who I am talking about, the woman I am referring to is La Llorona, who also answers to the name weeping woman.
The story is about a beautiful lady who fell in love with a man. They got married and had children, but sadly the husband died and left the lady to raise their children alone. Even with the struggles of raising her children alone, she found love again with another man. Everything was going great between them, until he found out that she has children. Furious with her, he left her for another woman. Anger and despair filled her heart and her mind, so she blamed her children for ruining what she wanted the most. She believed that if she could get rid of the children, he would come back to her. So she took her children to the river, where she drowned them. But shortly after she realized what she had done, she became horrified at herself. With a broken heart, forever after she then went on in life, mourning for the loss of her children. After her death, it is said that she lures people away to kill them in the hope of finding her lost children.1
This story dates back for centuries, starting before the Spanish Conquest. During that time period, the story is that an Aztec emperor had heard a woman’s cries and asked a nearby priest what it meant. The priest replied, saying that the cries were from the goddess Cihuacoatl, and her cries were one of the eight omens of doom. These omens began manifesting during the ten years before the arrival of Cortes in 1519. Cihuacoatl is the Aztec goddess who supposedly steals children away from their mothers and fathers, then later on sacrifices them.2
In other related stories of La Llorona, the woman isn’t known as La Llorona, but rather as La Malinche, the Indian mistress of Cortes. In this version, she doesn’t weep because of the loss of her children, but instead weeps because she betrayed her people to the conquerors.3 Cortes was the Spanish conquistador and Malinche was sold to him as a slave, but over time she was willing to help him on several adventures, but by doing this, she turned against her people. Although no known children were killed, she does appear to have had children with Cortes. This is where the origins of the legend gets confused on which culture actually created La Llorona. There are rumors saying that the Spanish may have gotten the origins confused with one of their own native legends.4 Regardless of where the story was first heard, the documentation of La Llorona appeared around 1550.5 Over time, the myth of La Llorona has been adapted to different customs and traditions, but each adaptation continues to recount five stable elements: a woman, a white dress, weeping for lost children, wandering, and water.
In other versions of the story, Llorona is simply a woman who drowns her children. English-language versions of the story simply call the woman the weeping woman, with her white dress symbolizing her link to the spiritual world as a ghost. In most of her stories, children do die; therefore, she weeps for them regardless of how they may die. While wandering and water are separate story elements, they go hand in hand in each adaptation. The Weeping Woman will always be wandering to find her drowned children, no matter where the story is told. This is why parents in the American south-west ( in California, Arizona, Colorado, Texas, and Mexico) warn children not to stray away, be naughty, or go out after dark, because they believe if the Weeping Woman is out there wandering, she could find you.6 Not only does she wander everywhere, but she typically will wander near bodies of water. This creates yet another warning that parents impart to their children, believing that water is dangerous and unpredictable. To prevent children from going near water without an adult, they tell their children the tale of La Llorona.
But it’s not just children that she goes after, but rather everyone. Typically, it’s more common for her to go after men than women, because it was a man who drove her to kill in the first place. So she uses her broken heart to get revenge on men because of how betrayed she feels.7 She uses her weeping to lure men to her, then kills them shortly afterwards. Since it is more common for males to be lured away, there are lessons for boys, namely, that the tale suggests to boys that women are temptresses of malevolent sexuality that can cause them to lose their souls as well as control of their bodies.8 While women aren’t primarily targeted, La Llorona can also teach young girls lessons as well, namely, that girls should be careful not to fall for a young man who may have wealth and nice clothes, but who is too far above them to consider marriage.9 Although it may seem unfair to women, overall the tale is meant to protect young ones from disobedience and to guide them in proper behavior. Since the story revolves around a woman, it is common for mothers and grandmothers to tell the Weeping Woman tale. Since the story is more typically shared by women rather than men, women used this to create an adaption in La Lloronas tale. Most females believe that La Llorona is a fragile woman, giving the impression that females are victims. So by evolving her story, they can adapt La Llorona to seem strong and powerful.
In Seguin, Texas you will find a place called Woman Hollering Creek, which crosses Interstate 10 near San Antonio, Texas. It is here where the story changes from one depicting a grieving mother to a survivor. In this version, the woman is a young bride in a white dress. But instead of being left behind by a man, she is beaten and has a miscarriage. The creek goes along her house, so she wanders along it while her husband is away at work. Later on in her life she gives birth, and it was at that point where she conjures up images of La Llorona.10 In this version, it still manages to have all the key elements of La Lloronas story. The white dress because she is a female bride, the weeping for children because she had a miscarriage, the Woman Hollering Creek being her source of water while wandering around it. However, instead of weeping and longing for children for eternity, she uses her voice in other ways. The Woman Hollering Creek story has her gaining her voice as a sign of rejection from domestic abuse. Although it may be completely different from most known stories, this one has became popular in the female world. With La Lloronas’ legend, women experience a sense of feeling trapped because of their lack of control. But in the Woman Hollering Creek version, instead of luring people to their death or seeking vengeance for a violent husband, the woman simply lives her life. She doesn’t cave in to a dangerous mind, but rather show that she’s stronger than that.
Adaptations of these stories will continue to change over time, sometimes making her a victim, sometimes a murderer, and sometimes a survivor. La Llorona may be an old myth, but her lessons and her stories continue. Keep this in mind the next time you misbehave, or wander alone, or go near water, because you never know when you might stumble upon a beautiful lady searching for lost children.
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson, 657. ↵
- Ana Maria Carbonell, “From Llorona to Gritona: Coatlicue in Feminist Tales by Viramontes and Cisneros,” MELUS 24, no. 2 (1999): 55. ↵
- Betty Leddy, “La Llorona Again,” Western Folklore 9, no. 4 (1950): 365. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
- Bacil F. Kirtley, “‘La Llorona’ and Related Themes,” Western Folklore 19, no. 3 (1960): 155. ↵
- Bacil F. Kirtley, “‘La Llorona’ and Related Themes,” Western Folklore 19, no. 3 (1960): 156. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
131 comments
Johnanthony Hernandez
Growing up in South Texas, I had heard the story of La Llorona before I even started school. But only one version of it, it’s interesting to see that there are different versions of it. I didn’t know that there were versions that dated back to the Aztecs for the arrival of Cortez, or that it revolved around the goddess Cihuacoatl. It’s interesting to see how the legend has changed over time and has been adapted so much from a goddess to an ordinary woman.
Hannah Wilson
This story was different because it is an article about multiple different stories that all originate form one single idea or theme. It is interesting that the stories date back so far up into present time, and that each cultures story differs. Some use it to scare kids, and some truly believe it. Also, changing her role from a victim, murderer, or survivor also kind of depends on the culture of that particular story.
Max Lerma
This story is such a staple of the Hispanic community here in San Antonio, it is great to see it featured here on the StMU Histroy Media Page. I have heard many of these renditions of the story before, but I really like that you gave some of the history of it as well. I had never known of the Aztec story that apparently serves as the origin for the La Llorona story we have today. It is fascinating to know that it has been in existence for centuries.
Hector Garcia
La Llorona is a folklore story that has been passed down from generation to generation. I could still remember the day when I came across the story of La Llorona. It’s one of those stories that parent parents tell their children to behave. I thought that reading the origin story of La Llorona was pretty interesting because it goes back to the era of conquistadores.
Elias Garza
I grew up hearing stories of La Llorona. Everytime I heard a story I was terrified, mainly because when I heard these stories I was in Mexico in my grandmothers farm. I never would have thought La Llorona had different cultures. I always thought it was a myth from Mexico, but it seems to me that this myth may have expanded and been tweaked with a little bit.
Christopher Sanchez
Reading this article made me remember the stories that my mom used to say about the La Llorona. I didn’t know there was so many versions of it but it’s crazy how each one has there interpretation. The one I hear a lot is the one where she drowns her kids for a guy then cry for eternity. I found it amazing how women view her as a strong and powerful women.
Destiny Leonard
This article was very interesting for me to read . Growing up in a Mexican- american household I grew up hearing the story of la llorana and quite frankly it terrified every time I heard the tale growing up. it was intriguing to hear the history and the origins of the tale. within history classes I had heard of la malinche and her interactions with Cortes, I never thought that she could be the possible origin for the story.
Angelica Padilla
Growing up in a Latino family I have always been told that if I misbehaved La Llorona would find me. It’s interesting that there is a different version for everybody. I loved this article, and how attached I was throughout reading it. I found it funny how in Seguin, Texas there’s a woman hollering creek, which is definitely something I want to go to.
Isaac Rodriguez
I’ve heard many adaptations of La Llorona but was not aware of the version that connects La Malinche and Hernán Cortés to the folklore. I understood La Malinche to be the slave and later mistress of Cortés, who bore the first Mestizo (person of Indigenous American and European descent). The connection is interesting but makes me think the line between history and the legend of La Llorona is blurred.
Ximena Mondragon
This article is very interesting because Iv’e heard of the Llorona since my childhood. This story in my family is told as a way to scare children and keep them on check. However, it is interesting to read the different version of the Llorona. Every culture adapts it which makes the story transcendent. I really like how the article mentions the different versions.