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Imagine a song so innovative that it rivaled one of The Beatles’ most popular song of their career “Yesterday.” In an era dominated by rock and roll, with hits by bands like the Beach Boys and The Beatles controlling the charts, the genre of bossa nova made its impact in 1964 when the international sensation “The Girl from Ipanema” found itself being played all over America. The song had been originally performed in Portuguese in 1962, and has since had more than 500 different recordings from around the world. It currently remains one of the world’s most widely aired songs.1

Tom Jobim | March 1965 | Courtesy of Wikimedia Commons

Antonio Carlos “Tom” Jobim is credited with creating many jazz standards through his creative contributions to the genre. Tom Jobim had a well-rounded education in music. He began piano lessons at the age of fourteen from a local musical scholar in Rio de Janeiro. He later gained more experience and strengthened his musical talent by playing in nightclubs and studying jazz bands and orchestras. In 1956, Jobim met Vinicius de Moraes who gave Jobim the opportunity to achieve his first big hit.2 Jobim kicked off a new musical craze by composing music for the play Orfeu da Conceição (Orpheus of the Conception). Though Jobim’s score for the play was based on samba rhythms, like much of his other works, it included harmonic shadings from jazz as well. This combination resulted in the new genre bossa nova, meaning “new wave.” After the play had its one month run, the two got together to create the song “Chega de Saudade,” which translates to “No More Blues.” Jobim claimed that the song had samba-canção style. Samba-canção was a refined style of samba that emphasized the melody rather than rhythm. João Gilberto, a talented singer who would later be widely known for his own bossa nova works, joined Jobim and de Moraes to create one of the genre’s first recordings.3 The song “Chega de Saudade” became the first hit of this new genre in 1958, sang by João Gilberto and written by Vinicius de Moraes and Tom Jobim.4 

Joao Gilberto and Stan Getz in New York | 1972 | Fundo Correio da Manhã | Courtesy of Wikimedia Commons
Samba is the music that started it all. Samba is based on rhythms brought to Brazil in the sixteenth century by African slaves. The genre is packed with syncopation, which means that the regular flow of the rhythm does not occur, due to the interruptions of rhythmic stresses and accents.5 João Gilberto is credited as a primary catalyst in the genre of bossa nova, as he took his samba rhythms and played them in a softer style on a guitar, which resulted in the bossa nova beat. Bossa nova served to contrast its predecessor samba-canção. It did this through its lyrics, which revolved around women, love, and loss, unlike samba-canção that projected feelings of sadness and longing through its rhythms and lyrics.6 The term “bossa nova” made its first appearance in the lyrics by Jobim and Gilberto from the song “Desafinado,” which translates to “off key.” The two had no idea that this song would be the beginning of a new musical style. The term “bossa” is slang for something that stands out due to its distinctiveness. This perfectly suits the new genre, since many of the singers of bossa nova do not necessarily require special vocal talent. Some describe the singing of the singers in the genre as normal speech or whispering.7 As months went by and the youth of Brazil were exposed to this new sound, the term “bossa nova” began making its way onto posters and into the stories of journalists using it to describe this distinct musical style.8

Not too long after the success of songs composed in Orfeu da Conceição, in 1962 de Moraes and Jobim found inspiration for their next successful song while at their favorite bar in Rio that overlooks Ipanema Beach. A beautiful woman caught both of the men’s attention, and they were motivated to write a song about her. The song was written for a musical that de Moraes was working on called Dirigível, which translates to “Blimp.” Although the musical about a Martian making its way around Rio did not capture the attention of many, the iconic song composed for the musical, “Garota de Ipanema,” or “The Girl from Ipanema,” certainly found itself climbing charts around the world.

1962 was a year packed with successes for the genre of bossa nova. The one and only original “The Girl from Ipanema” was written, and would soon be an instant success. All while another artist by the name of Stan Getz would begin to dabble in the genre as he released albums like Focus and Jazz Samba.9 Stan Getz, an American jazz saxophonist, was first introduced to bossa nova through a friend and fellow jazz artist Charlie Byrd. In 1961, Byrd had just returned from a program that the United States State Department hosted that sponsored American artists to tour around the world in hopes of allowing the spread of cultures and music.10 Byrd and Getz combined in 1962 to produce an album based on the sounds Byrd had heard on his State Department trip to Brazil. The resulting album, Jazz Samba, was instrumental in making bossa nova popular with American audiences in 1963. It also featured some of Gilberto’s songs.

Jobim made his way to New York City just as the bossa nova craze in Brazil was beginning to die down. Gilberto then joined Jobim in New York in early 1963. Getz sought out Gilberto and Jobim to collaborate in recording some songs together in the bossa nova style. That March, they went into a studio with music producer Creed Taylor to record eight songs.11

These eight songs became part of one of the most famous jazz albums of all time: Getz/Gilberto. On this album was the most famous rendition of the song “Garota de Ipanema,” this time featuring the wife of Gilberto, Astrud, as the vocalist. As the group recorded the song, Taylor suggested adding an English verse to the song, in addition to the Portuguese verse sung by Gilberto. Since Astrud knew English better than her husband, they decided that she should sing it, although she had never had any professional experience singing or recording.12

The album that resulted from their recording sessions that March was a fusion of the bossa nova style with Getz’s jazz saxophone. The album, when released in March 1964, was a huge success and was subsequently awarded three Grammy Awards. In fact, the album Getz/Gilberto became the best selling jazz LP in history, up to that time. “The Girl from Ipanema,” however, was released later that year of its recording, in 1963, as a single with João’s verse cut out, featuring only Astrud’s English contribution to the song. The original version of the recording, with both English and Portuguese verses, was retained for the album, but because it was over five minutes in length, Taylor felt that it was too long for radio stations to play it. So American listeners first heard the English-only version by Astrud, which went on to win a Grammy for Best Song in 1964.13 Despite the international successes of the genre and its songs, bossa nova’s popularity in Brazil was short-lived, due to Brazil’s dramatically changing political climate.

Album cover of Getz/Gilberto | 1964 | Courtesy of Wikipedia Commons
Music in Brazil is closely associated with its national identity as well as with its social classes. There is this idea of “dual citizenship” in Brazil. Citizens of Brazil believe they live two lives, one in which they must endure their struggles and injustices, and another in which their music allows them to express their independence. Those who tried to change Brazil with their words suffered political exile, such as Caetano Veloso and Gilberto Gil, who were exiled to London due to their activism in the Tropicália Movement. Music in Brazil can either offer an escape and allow people to cope with their misfortunes, or the music can be used to spark more radical change in society, which is what many activist such as Veloso and Gil did.14 For many, the sounds of bossa nova were reflective of the lives of the easy-going, young, and in love middle class. The genre was a symbol of hope for a better future, as Brazil strove towards modernism. This changed as Brazil entered an era of military dictatorship during the year 1964, marking the end of the successful sounds of bossa nova.15 The genre would quickly be abandoned completely by the Brazilian public in the late 1960s, as some Brazilians argued that the genre no longer reflected the political climate in Brazil and had become too Americanized due to its international success. Many felt that the genre had become inauthentic to Brazil, and no longer sensed that its optimistic lyrics were suitable for the new era of fear and instability that Brazil was facing.16  This military dictatorship marked the downfall of popular music that brought feelings of joy and the rise of music that spoke up for the injustices the public felt. This was particularly true of the music of MPB (Música Popular Brasileira), which spoke out against the wrongs in Brazil’s politics.17

The real life girl from Ipanema | 27 July 2006 | Sergio Savarese | Courtesy of Wikimedia Commons
The success of bossa nova made its resurgence in the 1970s as the climate in Brazil improved, and with this bossa nova would live on internationally and locally where it started in none other than Brazil.18 “The Girl from Ipanema” all began because Tom Jobim spotted a beautiful woman by the name of Helô Pinheiro stroll past the bar where he and de Moraes were drinking a beer, near Ipanema Beach. Tom Jobim was so enamored of this woman that he told de Moraes that they had to write a song about her. Although not an instant hit in Brazil, the mixture of samba rhythms and jazz ended up captivating the hearts of Brazilians just as the popularity of bossa nova was beginning to fade.19 The English version of the song by Astrud is what really allowed the song its astonishing success. The song was so influential that Frank Sinatra worked on a bossa nova album with Tom Jobim, and since then, the song has been recorded by famous artists everywhere. Having written more than 250 songs in his lifetime, Jobim will always be credited as a founder of the iconic musical genre that depicts Brazil at one of its moments in history.20

The song that began on a Brazilian jazz album being sung in Portuguese by a man, and ended as a pop single around the world being sung in English by a woman changed the world of jazz and music. Although the rise of military dictatorship in Brazil caused bossa nova’s romantic and optimistic lyrics quickly lose their relevance, “The Girl from Ipanema” remains an international sensation.21

  1. Suzel Ana Reily, “Tom Jobim and the Bossa Nova Era,” Popular Music 15, no. 1 (1996): 2. ↵
  2. Salem Press Biographical Encyclopedia, 2015, s.v. “Antonio Carlos Jobim,” by Matthew Nicholl. ↵
  3.  Encyclopedia of Great Popular Song Recordings, 2013, s.v. “Chega de Saudade (1958)—Joao Gilberto (music by Antonio Carlos Jobim, lyrics by Vinicius de Moraes) Festa 6002,” by Steve Sullivan. ↵
  4. Encyclopedia of World Biography, 2007, s.v. “Jobim, Antonio Carlos,” by Tracie Ratiner. ↵
  5.  Latin Music: Musicians, Genres, and Themes, 2014, s.v. “Bossa Nova,” by Robert Willey. ↵
  6. Suzel Ana Reily, “Tom Jobim and the Bossa Nova Era, ”Popular Music 15, no. 1 (1996): 8. ↵
  7.  Brazil Today: An Encyclopedia of Life in the Republic, 2012, “Bossa Nova,” by John J. Crocitti and Monique M. Vallance. ↵
  8. Suzel Ana Reily, “Tom Jobim and the Bossa Nova Era, ”Popular Music 15, no. 1 (1996): 8. ↵
  9.  Baker’s Biographical Dictionary of Musicians, 2001, s.v. “Getz, Stan(ley),” by Nicolas Slonimsky and Laura Kuhn. ↵
  10. Salem Press Biographical Encyclopedia, 2015, s.v. “Antonio Carlos Jobim,” by Matthew Nicholl. ↵
  11.  Contemporary Musicians, 2004, s.v. “Gilberto, Astrud,” by Carol Brenna. ↵
  12. Bill DeMain, “The Girl From Ipanema,” Performing Songwriter 14 (1998): 88. ↵
  13. Salem Press Biographical Encyclopedia, 2015, s.v. “Antonio Carlos Jobim,” by Matthew Nicholl. ↵
  14. Frederick Moehn, “Music, Citizenship, and Violence in Postdictatorship Brazil,” Latin American Music Review / Revista de Musica Latinoamericana, no. 2: 181. ↵
  15.  Worldmark Encyclopedia of the Nations, 2004, s.v. “Brazil.” ↵
  16.  Latin Music: Musicians, Genres, and Themes, 2014, s.v. “Bossa Nova,” by Robert Willey. ↵
  17. Suzel Ana Reily, “Tom Jobim and the Bossa Nova Era,” Popular Music 15, no. 1 (1996): 4. ↵
  18. Nelson Barros da Costa and Maria das Dores Nogueira Mendes, “A Bossa Nova e a Música Cearense Dos Anos 70 / The Bossa Nova Movement and the Music of Ceará of the 1970s,” Per Musi, no. 29 (2014): 176. ↵
  19. Stephen Buckley, “FOREIGN JOURNAL; Then, Now and Forever, ‘The Girl From Ipanema,” The Washington Post, October 18, 1999. Accessed December 1, 2018. https://advance-lexis-com.blume.stmarytx.edu/api/document?collection=news&id=urn:contentItem:3XNG-P1D0-00RP-M4TH-00000-00&context=1516831. ↵
  20.  Latin Music: Musicians, Genres, and Themes, 2014, s.v. “Bossa Nova,” by Robert Willey. ↵
  21. David Chater, “Critic’s choice; The Girl from Ipanema Monday 1,” The Times (London). (July 2016). ↵

Recent Comments

58 comments

  • Amariz Puerta
    6 years ago Reply

    Scrolling through the different articles this did not really grab my attention because it seemed like a cliche story. Seeing how music connects to our history makes me feel so impressed to see how connected we are. The song is not only just words and a beat but context our our history and society. Loved how it was written and so informative.

  • Aracely Ortiz Soriano
    6 years ago Reply

    I liked how this article tied how the creation of the song “The Girl from Ipanema” emerged and the history of Brazil at that time. It highlights the importance of music and how it can make people feel. It was also interesting to learn that music in Brazil is associated with social classes and how bossa nova is reflective of the middle class. I really enjoyed reading this article, it was very well written and thoroughly researched.

  • Tyler Reynolds
    6 years ago Reply

    This was a well research and structured article. I can clearly see that the author was passionate about the story. I love how the article delves into some aspects of Brazil’s political and social struggles. Unlike other articles that I have seen where the author was very vague on historical events spanning large stretches of time, this author was very precise and punctual.

  • Noah Wesolowski
    6 years ago Reply

    While I know of the name Samba music I know little about what it actually is. If I were to hear it I
    would mostly be able to guess what it is. I did not know that this music helped people in brazil at the time. While Brazil has changed a lot since then is it is nice to know that this song “The Girl from Ipanema” still is popular to this day.

  • Ava Rodriguez
    6 years ago Reply

    This article is really interesting, and it was not what I expected from the title.This article shows how music connects to history and how it can make people feel. Bossa Nova had a very interesting background and I had no idea it was about a real person. It also explained how it connected to society. This article was very well written.

  • Vanessa Sanchez
    6 years ago Reply

    The article itself was to read how the song The Girl from Ipanema was created. The structure of the article was very well thought out and explained very well. The article is about how these two men showing their success in the music industry and how the song The Girl from Ipanema came into the world. It all started when these two men named Antonio Carlos “Tom” Jobim and Vinicius de Moraes went to Ipanema Beach and at that beach, they saw a women there that caught both of the two men’s attention and was inspired to write the song about her. Overall the article was good, the article didn’t really talk about much about The Girl from Ipanema but it was still interesting to read.

  • Fatima Navarro
    6 years ago Reply

    This was so informative. Of course, I had heard this song before but I had no idea the beginning of it, the story behind it and who created the song. Good use of information and history in combination with an article about music. You bet this article push me to listen to the song once again and enjoy a relaxing jazzy time while I post this comment.

  • Danielle Slaughter
    6 years ago Reply

    What a fascinating story about how this somg came to be! I wonder what Ms. Hêlo thought, years later, when it came to light that she was the beautiful inspiration for one of the most famous songs of all time. What is even more intriguing to me is the fact that music seems to have the same effects on people all over the world — it has the ability to take people from the struggles of life into a world of bliss and melody. Great article!

  • Octaviano Huron
    6 years ago Reply

    It is very interesting on how one song can represent social and political trends on an international level. It is crazy to know that Brazil had abandoned bossa nova because it did not reflect how their citizens felt in times of crisis. Even though the English version grew to become the most popular, it still serves as a tribute to the bossa nova genre and Brazilian culture.

  • Michael Hinojosa
    6 years ago Reply

    When I first read the title of this article I didn’t think there would actually a song that could surpass the popularity of the Beetles! This article was wildly fascinating as well, being able to relate to music, history, and over all cultural identity in a sense as well! Being able to learn about the origins of the song was also something I thought was cool and funny at the same time; just because of how the song came about!

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