February 21, 2018
“Et un et deux et trois” (and one, and two, and three), are the countless hymns that a typical ballet dancer hears from the rise of dawn to long after sunset. Their long hours in the studio, being constantly on their feet (known as releve), becomes their everyday regime, including exaggerated arm extensions and feet so numb that they do not even feel the blisters from their point shoes; these are examples of the sacrifices and commitments that young ballet dancers experience to make the top one percent that become professionals. An aspiring young African-American woman named Misty Copeland was born to break all barriers in the dance world and change the image of what a ballerina should look like. Misty grew up in a household of five siblings, to a mother of multiple marriages, and to a father who was nearly absent from her life for twenty years; she became American Ballet Theater’s first African-American ballet dancer.1 She is world renowned for her acclaimed performances and the statuesque perfection that has made her an elite dancer. Growing up, she never realized her potential, because of her constant fight for her mother’s attention among her other siblings. Copeland soon realized her passion for dance when she performed dance routines at home to a Mariah Carey chart topper. With no formal ballet or gymnastics experience, she tried out for her middle school drill team, following in her older sister’s footsteps; the elite dance team was recognized for winning countless statewide competitions.2
Even though Misty’s frame was regarded as petite, at thirteen years old Misty was able to use her assertiveness that she gained at home to become captain of the drill team. She was praised for her natural grace and finesse on the dance floor, which later came to the attention of her classically trained coach, Elizabeth Cantine. Off the dance floor, Copeland struggled with the difficulties that her family was enduring. In the year 1994, after her mother’s various friends and boyfriends, her family moved into a small two bedroom Inn in Gardena, California. Along with her brothers and sisters, Misty slept on the floor with only blankets. She regards this memory as, “The hardest time in my childhood,” saying that she made up for the chaos at home by working doubly hard at school.3
Misty’s dance career began at a later age than that of most elite dancers; the average dancer begins training between the ages of four and eight, but her formal training did not begin until age thirteen. Copeland’s middle school drill team coach encouraged her to attend the Boys and Girls Club, where a ballet instructor, Cynthia Bradley, taught free ballet classes once a week. Misty originally declined the offer because her mother did not have a car, and was working twelve to fourteen hours a day, and her oldest sister Erica was working two jobs. But Instructor Bradley began picking Misty up from school. Copeland was able to demonstrate how others’ preconceptions can be disproved with raw talent, “You can start late, look different, be uncertain, and still succeed.”4 Within her brief three months of training with Bradley, Copeland had mastered the French technique of en pointe, which signifies standing on the tip of your toes in ballet shoes, something that takes most ballerinas years to master. As her training became more intensive, Misty began spending most of her hours at the studio, which angered her mother, who told her that she would have to give up ballet. However, Bradley saw a spark of passion in Misty, and offered to host her during her training, as many trainers do for professional athletes. Her mother concluded that it was the best option, considering that their home life was unstable. Copeland explained that the feel of slippers and leotards gave her a sense of confidence and empowerment; she felt like she finally fit in. She had a place to call home and a sport to idolize: “Ballet was so structured. I’d been craving something that could guide me.”5 In the year 1998, at the age of fifteen, she won first prize in the ballet category of the Los Angeles Music Center Spotlight Awards.6
However, that same year a custody battle ensued between the Bradleys and Copeland’s mother. Misty had to return home to her mother, and they had frequent arguments. Her mother had long resented the Bradleys’ influence of homeschooling, Christian religion, and far more personal attention with Misty, and ultimately she decided that Misty would have to cease her continuation with the Bradleys. Misty was distraught with the fear that she would not be able to continue her dance career. The Bradleys then helped Misty to emancipate herself, which was a procedure common among young performers for securing their financial and residential independence. After Misty’s mother received the emancipation documents, she hired famous feminist attorney Gloria Allred and applied a series of restraining orders, which included the Bradleys’ five-year-old son. The order was partly intended to preclude contact between the Bradleys and Misty, but it did not have proper legal basis, since there had been no stalking or harassment.7 The custody controversy was highly publicized in the press: “The attention was devastating,” she says. “I had been so private. It was scarring.”8 After Misty’s mother stated that she would make sure Copeland could dance, both emancipation papers and restraining orders were dropped.
Copeland then began attending San Pedro High School, and continued to study at Lauridsen Ballet Centre in Torrance, California. In 2000, Copeland won another full scholarship, this time to American Ballet Theater’s intensive summer program; and soon after, she became the only African-American woman in a group of eighty dancers. Though she was challenged by her difference, not only her skin color but also her body type, always more full figured than her peers, she nevertheless climbed the ranks by virtue of her exceptional skill.9 In 2007, she became the company’s first African-American female soloist in two decades, with notable performances in The Firebird (2012), in Le Corsaire (2013), and in Swan Lake (2014), to name a few. Copeland’s inspiring story made her a role model and pop icon. She is a New York Times Bestseller in Ballerina Body, a memoir Life in Motion, and Firebird, an inspiring children’s book that shows that through hard work and dedication any young dancer can become a Firebird.10 “I had moments of doubting myself, and wanting to quit, because I didn’t know that there would be a future for an African-American woman to make it to this level. At the same time, it made me so hungry to push through to carry the next generation. So it’s not me up here and I’m constantly saying that it’s everyone that came before me that got me to this position.”11
This article is touching and provides a story that proves with hard work you can accomplish your goal. Misty Copeland seems like a very talented dancer and I’m glad to read that her talent was noticed while she was young. Even though she had problems at home I’m glad she turned her feelings into something positive that allowed her to grow out of a negative cycle and earn her a place among great artists.
this is a great article about an inspiring story of a trailblazer who paved the way for other young aspiring african american ballerinas. I am a true admirer of any trailblazer because they are the ones with the unbelievable amount of courage to be the first of their kind even under immense criticism. To see misty’s struggles and her come out victorious is deeply moving.
This article shows how hard work and dedication can allow you to follow your dreams. She showed great courage and showed African American women and girls that they can do any and everything they set their minds to. It also was interesting to read about her life when she was young and how she was able to overcome her obstacles. This was a very well written and thought out article.
I enjoyed this article a great deal due to a different perspective that the article gives on someone making their way from the bottom to the top. The article touches base on how she came to the dance and ballet community followed by the adversity she went through. It was not only because she was a minority but also because of her family struggles and conflict with the family that was able to sponsor her. This article is well written and I really enjoyed the topic even though I have no knowledge of ballet or who the subject is.
This article does a great way in showing how a hardworking woman can overcome adversity and reach her goal. Misty Copeland proves that besides everything life throws at you and all the negative energy thrown and yo by others you can always succeed. Through hard work and commitment she was able to pursue her dream and be recognized worldwide. This is a great article and it’s a great way to inspire readers to reach for their goals.
First off, I like the pictures shown in this article, very nicely taken by the photographer. This article basically shows another cliché example of hard work paying off, good on her. I have never actually heard of Misty Copeland before, nor have I read about ballerinas in general but Misty seems like someone who really went all out to achieve what she wanted.
I enjoyed reading this article. I don’t know much about ballet or ballerinas, but this was an incredible story and the author did great job. The fact that Misty almost had to emancipate her self from her mother must have been tough. Misty truly defied all expectations and set the bar higher than anyone could have imagined. Great Job.