There she is, hair black as night with a dress on as white as snow, but for some reason you can’t get a good view of her face. Then, all of sudden, she’s in yours, screaming at the top of her lungs. This is not your typical girl, and although she may sound like one, she is much worse. What you just witnessed is a mother grieving for her children. Some might question her parental instincts, but she only killed them for love, and let’s be honest, love makes you do some crazy things. If you are wondering who I am talking about, the woman I am referring to is La Llorona, who also answers to the name weeping woman.
The story is about a beautiful lady who fell in love with a man. They got married and had children, but sadly the husband died and left the lady to raise their children alone. Even with the struggles of raising her children alone, she found love again with another man. Everything was going great between them, until he found out that she has children. Furious with her, he left her for another woman. Anger and despair filled her heart and her mind, so she blamed her children for ruining what she wanted the most. She believed that if she could get rid of the children, he would come back to her. So she took her children to the river, where she drowned them. But shortly after she realized what she had done, she became horrified at herself. With a broken heart, forever after she then went on in life, mourning for the loss of her children. After her death, it is said that she lures people away to kill them in the hope of finding her lost children.1
This story dates back for centuries, starting before the Spanish Conquest. During that time period, the story is that an Aztec emperor had heard a woman’s cries and asked a nearby priest what it meant. The priest replied, saying that the cries were from the goddess Cihuacoatl, and her cries were one of the eight omens of doom. These omens began manifesting during the ten years before the arrival of Cortes in 1519. Cihuacoatl is the Aztec goddess who supposedly steals children away from their mothers and fathers, then later on sacrifices them.2
In other related stories of La Llorona, the woman isn’t known as La Llorona, but rather as La Malinche, the Indian mistress of Cortes. In this version, she doesn’t weep because of the loss of her children, but instead weeps because she betrayed her people to the conquerors.3 Cortes was the Spanish conquistador and Malinche was sold to him as a slave, but over time she was willing to help him on several adventures, but by doing this, she turned against her people. Although no known children were killed, she does appear to have had children with Cortes. This is where the origins of the legend gets confused on which culture actually created La Llorona. There are rumors saying that the Spanish may have gotten the origins confused with one of their own native legends.4 Regardless of where the story was first heard, the documentation of La Llorona appeared around 1550.5 Over time, the myth of La Llorona has been adapted to different customs and traditions, but each adaptation continues to recount five stable elements: a woman, a white dress, weeping for lost children, wandering, and water.
In other versions of the story, Llorona is simply a woman who drowns her children. English-language versions of the story simply call the woman the weeping woman, with her white dress symbolizing her link to the spiritual world as a ghost. In most of her stories, children do die; therefore, she weeps for them regardless of how they may die. While wandering and water are separate story elements, they go hand in hand in each adaptation. The Weeping Woman will always be wandering to find her drowned children, no matter where the story is told. This is why parents in the American south-west ( in California, Arizona, Colorado, Texas, and Mexico) warn children not to stray away, be naughty, or go out after dark, because they believe if the Weeping Woman is out there wandering, she could find you.6 Not only does she wander everywhere, but she typically will wander near bodies of water. This creates yet another warning that parents impart to their children, believing that water is dangerous and unpredictable. To prevent children from going near water without an adult, they tell their children the tale of La Llorona.
But it’s not just children that she goes after, but rather everyone. Typically, it’s more common for her to go after men than women, because it was a man who drove her to kill in the first place. So she uses her broken heart to get revenge on men because of how betrayed she feels.7 She uses her weeping to lure men to her, then kills them shortly afterwards. Since it is more common for males to be lured away, there are lessons for boys, namely, that the tale suggests to boys that women are temptresses of malevolent sexuality that can cause them to lose their souls as well as control of their bodies.8 While women aren’t primarily targeted, La Llorona can also teach young girls lessons as well, namely, that girls should be careful not to fall for a young man who may have wealth and nice clothes, but who is too far above them to consider marriage.9 Although it may seem unfair to women, overall the tale is meant to protect young ones from disobedience and to guide them in proper behavior. Since the story revolves around a woman, it is common for mothers and grandmothers to tell the Weeping Woman tale. Since the story is more typically shared by women rather than men, women used this to create an adaption in La Lloronas tale. Most females believe that La Llorona is a fragile woman, giving the impression that females are victims. So by evolving her story, they can adapt La Llorona to seem strong and powerful.
In Seguin, Texas you will find a place called Woman Hollering Creek, which crosses Interstate 10 near San Antonio, Texas. It is here where the story changes from one depicting a grieving mother to a survivor. In this version, the woman is a young bride in a white dress. But instead of being left behind by a man, she is beaten and has a miscarriage. The creek goes along her house, so she wanders along it while her husband is away at work. Later on in her life she gives birth, and it was at that point where she conjures up images of La Llorona.10 In this version, it still manages to have all the key elements of La Lloronas story. The white dress because she is a female bride, the weeping for children because she had a miscarriage, the Woman Hollering Creek being her source of water while wandering around it. However, instead of weeping and longing for children for eternity, she uses her voice in other ways. The Woman Hollering Creek story has her gaining her voice as a sign of rejection from domestic abuse. Although it may be completely different from most known stories, this one has became popular in the female world. With La Lloronas’ legend, women experience a sense of feeling trapped because of their lack of control. But in the Woman Hollering Creek version, instead of luring people to their death or seeking vengeance for a violent husband, the woman simply lives her life. She doesn’t cave in to a dangerous mind, but rather show that she’s stronger than that.
Adaptations of these stories will continue to change over time, sometimes making her a victim, sometimes a murderer, and sometimes a survivor. La Llorona may be an old myth, but her lessons and her stories continue. Keep this in mind the next time you misbehave, or wander alone, or go near water, because you never know when you might stumble upon a beautiful lady searching for lost children.
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson, 657. ↵
- Ana Maria Carbonell, “From Llorona to Gritona: Coatlicue in Feminist Tales by Viramontes and Cisneros,” MELUS 24, no. 2 (1999): 55. ↵
- Betty Leddy, “La Llorona Again,” Western Folklore 9, no. 4 (1950): 365. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
- Bacil F. Kirtley, “‘La Llorona’ and Related Themes,” Western Folklore 19, no. 3 (1960): 155. ↵
- Bacil F. Kirtley, “‘La Llorona’ and Related Themes,” Western Folklore 19, no. 3 (1960): 156. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
- Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, 2012, s.v. “La Llorona (The Wailing Woman),” by Leigh Johnson. ↵
131 comments
Cristina Cabello
I actually just heard of this story recently. But in a totally different version. I really like how Amanda told the original story but then described a lot of different versions. It’s kind of like playing telephone, how one person says something then as the gossip goes on it changes up. Each story is unique but similar from the original. This folk’s tale can be interpreted in many different ways. Like how love can definitely makes you do crazy things. But then corrupts the mind on what is lust and what is actually love. In my opinion, mothers should love their children the most. Once La Llorona realized that she went even crazier…
Reese Lujan
As a child whenever I was outside playing late and didn’t want to go inside my mom would always tell me to come in before the llorona would come get me. I was never informed of the whole background of the llorona only that she was a lady that would cry in the middle of the night for her children and take any children she’d see. Now that I have read this article my mind is completely astonished by the history behind this folks tale.
Anna Guaderrama
Growing up I was often told this story, but I never knew that there are different adaptations and versions of the story. It was interesting to learn that some of these versions can depict the woman as a victim, killer, or survivor. Although the story never really took that much of a toll on me into behaving good as a child, I really enjoyed seeing the last version that showed her as a survivor; I had never heard that version, making it a refreshing version of a classic tale.
Robert Rodriguez
i still remember my grandmother telling me this story as a young child because there was a canal across the field and i loved playing outside. There were a couple of times during my childhood that i scared friends with “La Llorona”, taking them near the canal and claiming i heard a cry. While i was told the version about the women drowning her child i wasn’t aware of the other versions presented in this article, nor was i aware of the how far this folk tale dated back to. Who knew La Llorona had so much history behind it…
Maria Esquivel
This story definitely brought back memories from my childhood where I heard the version where La Llorona would be by the water looking for children who she believed were the one’s she had drowned. It’s interesting to learn about the different versions of La Llorona tales and to learn about how different each one is but still the way she dresses stays the same. As a person who gets frightened easy, I really enjoyed and prefer the last version of the llorona, where she is a survivor and not someone trying to seize you into being her next victim.
Kimberly Simmons
The only brief encounters I’ve had with this story were in high school Spanish classes. It’s quite intriguing to read about the original roots of the story, especially since La Llorona is based on Cihuacoatl, the Aztec goddess. I will admit, though, that my favorite thing about this article is you mentioning how women tend to retell the story in a way that makes the female seem powerful, rather than fragile. Maybe one day I’ll visit the hollering creek in town, until then, I don’t think I’ll ever swim at night.
Marlene Lozano
I remember hearing this story being told when I was younger. Although it was the simple version where the women drowned her children and died grieving about what she had done. La Llorona was a scary story when I was younger and being able to read it in great detail it still has the edge it had back then. What I didn’t know was where the story originated from and I find it interesting that two different cultures had similar stories within them. La Llorona is definitely kept me from wandering off when I was younger.
Maricela Guerra
Not going to lie but this story was kind of breathtaking and scary for me. I heard the story before when I was a little girl, but I learned the story from school. I did not learn this from any of my female figures in my life. Stories like these are always the best ones, because you never know whether it is real or not. We never know if it’s someone’s life story, or someone’s imagination. These are the stories that keep me interested and keep me wanting to read more.
Samuel Stallcup
I remember in fourth grade this story gave me quite the scare since I had been afraid of ghosts for some time. My brother and his friend said they went to the river by my house one time, late at night, and heard a noise, a sort of crying noise, and then they ran away because they were scared. Typing it out now, it sounds ridiculous, but at the time I was terrified… This article did a good job at conveying that fear of this story.
Sebastian Castro Ramos
Growing up in Honduras, I heard anther version of La Llorona with some of the elements you mention. It was a story about a woman who had three children and an abusive husband. One day, her husband returned home drunk, and because nobody received him when he arrived, he wanted to beat them. The children ran off to hide, and the woman decided to fight him, but he punched her and she fell unconscious. When she woke up, she couldn’t find her children or husband on her house, and she kept looking for them for the rest of her life. She eventually died because of her grief, and she now appears weeping close to rivers and sacrifices men as a revenge for what her husband did to her. She wears a white dress, and has long hair that covers her face until men get close enough. Excellent article!